Guilty!
Jury duty. I went a little mad with power. Declared everyone guilty: The judge, the prosecutor, the bailiff, the court reporter. Then the judge again. “You’re not regular guilty,” I told her. “It’s a prima facie case! A plantar fasciitis
Jury duty. I went a little mad with power. Declared everyone guilty: The judge, the prosecutor, the bailiff, the court reporter. Then the judge again. “You’re not regular guilty,” I told her. “It’s a prima facie case! A plantar fasciitis
Jury duty.
I went a little mad with power. Declared everyone guilty: The judge, the prosecutor, the bailiff, the court reporter. Then the judge again.
“You’re not regular guilty,” I told her. “It’s a prima facie case! A plantar fasciitis case! You’re extra-guilty! Doubly guilty! Triply guilty! Tripoli guilty – and they’re guilty as heck on the shores of Tripoli. You’re super-duper cranial guilty!” (“Cranial” confused her, as I knew it would, and which confirmed her guilt.)
For reasons unknown, I was not selected to serve on a jury. But I have a badge now, mister – a badge and an attitude, so mess with me at your own peril. Ya guilty bastard.
I would have liked to have been born in my beloved Maine, but to paraphrase a friend, my mother was in Miami at the time, and I thought I should be with her for that particular event. So I grew
I would have liked to have been born in my beloved Maine, but to paraphrase a friend, my mother was in Miami at the time, and I thought I should be with her for that particular event.
So I grew up in Miami, donning sweaters when it was 65 degrees and ski jackets – we didn’t know of parkas – at 60. To me, snow seemed exotic. In Miami in the 1970s (I’m old. Shut up.), the elementary school English textbook was called The Roberts English Series. The first poem in the first of the series – at least the first that I remember – was Robert Frost’s magnificent Stopping by Woods on a Snowy Evening. I memorized it immediately. Someone had told me that poetry wasn’t to be taken literally, so at 7 or 8 years old, I decided that poem was about death.
It’s been a long time since I was 8, and I now like to think the poem isn’t about death so much as it is about, y’know, stopping by woods on a snowy evening. I picture the woods in Maine, even though Frost published the poem in his New Hampshire collection. Even Frost couldn’t get everything right.
I lived in Maine long enough for it to seep into my soul, and I plan to return one day. I cannot call myself a Mainer, although perhaps my friend Janet, who has impeccable Maine credentials and whose wonderful family embraces and embodies all that is good about the state, wouldn’t mind if I considered myself at least an honorary Mainer.
My years in Maine made me reconsider snow. It is no longer exotic, but it’s still magic.Winter, which toughens Mainers and brings them together, fortified by Leon Leonwood Bean’s boots against a common adversary, begins today, the solstice. Frost, of course, phrased it more elegantly: “The darkest evening of the year.”
Here’s to the magic of this season, wherever you experience it.
A homeless man died alone on a hot sidewalk outside my gym on Tuesday. The Los Angeles Police Department put a little plastic tent around the body, I guess to provide some degree of dignity to the body of a
A homeless man died alone on a hot sidewalk outside my gym on Tuesday.
The Los Angeles Police Department put a little plastic tent around the body, I guess to provide some degree of dignity to the body of a man who was denied it in life. A lone officer stood nearby, waiting for someone from the coroner’s office.
As the officer waited, a guy I sort of know showed up at the gym. He saw the cop on his way in, and he made a joke:
“They’re looking for you,” he said.
“Somebody died,” I told him.
It took a moment for my answer to register. I stepped outside to go home. I paused for a moment, trying to think of a prayer or a word or something appropriate to do, when my acquaintance emerged.
“What was he, a bum?” the guy asked me.
I told him no, the dead man was a person.
“Yeah, but a bum,” my acquaintance said.
I glanced toward the body and then at my acquaintance.
“No,” I answered. “He was a child of God and he died this afternoon, alone on a hot sidewalk, with no one to grieve.”
My acquaintance blinked a few times and went back inside. The temperature on the sidewalk had cooled to the mid-90s, and the man had been dead a few hours. No use staying outside.
Dozens, maybe hundreds of homeless people live in the alleys and sidewalks of that neighborhood, an easy walk from stores that sell shoes for more than $2,000 a pair. Those shoes are so far outside my realm of experience I don’t even look at them.
I pay the homeless people who inhabit those streets about the same attention.
Yet on this sticky Tuesday afternoon, I was touched by the death of a man I doubt I’d ever met and doubt I would have paid attention to.
He and I breathed the same air, lived in the same city. Our shoes padded down the same sidewalks.
Someone probably loved him once, even if briey. He once was an infant, with the promise of new life. I imagine enjoyed the same things most people do: A slice of cake, a cold drink, a hot shower. I wondered when he last enjoyed any of those. I wondered about his final hours, and whether he even had the comfort of a breeze.
I am ashamed that I didn’t give him the consideration in life that I gave him in death.
A FRIEND IN MY BELOVED MAINE REMINDS ME that I once told him it was unfortunate that he believes people are innately good.
It sounds like something I would have said.
I was wrong.
Not that I think all people are good, because some are rotten. I have witnessed acts of kindness that are as tiny as they are sublime, and petty cruelties that manage to be mammoth. Philosophers – people far smarter than I – are still chewing over the state of humankind.
Whether people are innately good or bad doesn’t really matter, though. Whether we are prisoners, princes, or paupers, we all have intrinsic worth, and we deserve dignity.
Here’s where I was wrong: I told my friend it was unfortunate that he believes people are innately good. Wrong, wrong, wrong. If he believes people are good, he sees them as good. He sees their value, their beauty, their humanity.
When we acknowledge the humanity in others, we connect with them, if only a little. When we do that, we make our own lives better and we make the world a little kinder. Maybe, in fact, by seeing people as good, we help them become good. And if we don’t, well, a sunny outlook sure is better than a sour one.
A HOMELESS MAN DIED ALONE, sweating on a hot sidewalk, in one of the most glamorous cities in the world on Tuesday.
I don’t know about the afterlife or about God, but if there is either, I hope the man who died alone on a hot summer afternoon is welcomed by a chorus of angels.
I hope those same angels crush my callousness and awaken my own better angels – and all of ours.
Just before 7 a.m. on this day one year ago, I awoke in a guest room in my parents’ house. I padded up the long hallway to a little set of stairs and took a few steps. My mother and
Just before 7 a.m. on this day one year ago, I awoke in a guest room in my parents’ house. I padded up the long hallway to a little set of stairs and took a few steps. My mother and father slept a few feet to my right, but I turned left to another room, to greet the Angel of Death.
“Good morning,” she said.
Her French Caribbean accent made the words sound like burnt sugar, and her smile was kind.
But she lied. It was a very bad morning.
My father was dying. Cancer had spread to both lungs and his liver. He had pneumonia. His kidney – cancer had invaded the other, and a physician who was more technician than healer had removed it 13 months earlier – was failing.
Now, a hospice nurse with a soothing accent, a gentle manner, and a bottle of morphine tended to him.
We had tucked a hospital bed into the corner of his bedroom, and he had slept through the night. My father was too weak even to turn, and the nurse asked me for help turning him on his side.
Nearby, my mother slumbered alone in the bed she and my father had shared for decades. I worried that moving my dad would wake her. Reality was ugly, and I wanted her to have the comfort of sleep.
The nurse agreed. She went to check my father’s blood pressure.
She came back and said this: “Your father has no blood pressure.”
“Does that mean he’s gone?” I asked.
A simple nod would have sufficed, or a yes. Instead, she said it again.
“He has no blood pressure.”
I knew he was dying, but it took a moment for me to understand what she meant. And then the tumult. Telling my mom. Telling my older brother, who also had spent the night in the house. Calling my sister and my younger brother.
I stepped away from the chaos, to the quiet of the family room. It’s usually a boisterous place, but for a few moments that sad morning, it was just me. I sat down and hyperventilated.
I remember being surprised at my reaction – hyperventilation. I figured maybe I’d cry or something, but that didn’t come until later.
For now, I’d gulp air.
Today is a year. My family and I have gone through the things people go through in a year: Birthdays, anniversaries, holidays. They have been less joyous, and sometimes unspeakably sad.
The all-encompassing grief that washed over me in the days after my dad died is unsustainable, and has subsided a little. I’m even happy sometimes. Then I feel guilty for feeling happy, and then I feel silly for feeling guilty for feeling happy. And sometimes I’ll see something, or hear something or smell something or think something, and a wave of sadness will hit me. I go all weak in the knees – my legs literally lose their strength – and my eyes flood. And then I smile.
I’m used to it. Not over it.
Alvin N. Weinstein was 87. He had a good life. He managed to be both urbane and silly. He spoke four languages, he was a brilliant lawyer, he was a virtuoso musician.
People tell me he lived a long life.
I agree.
But it wasn’t long enough.
Back in Maine – my beloved Maine – is a bar where I used to drink. It’s called Amigos because it purports to be a Mexican restaurant. Word is, there’s a dining room upstairs, but everyone in Portland knows that
Back in Maine – my beloved Maine – is a bar where I used to drink. It’s called Amigos because it purports to be a Mexican restaurant. Word is, there’s a dining room upstairs, but everyone in Portland knows that downstairs, through the door marked “BAR ROOM” in cheap, somehow menacing adhesive letters, is a serious drinkhouse.
It’s perfect. Cheap drinks, a pinball machine, two dartboards (which I was prohibited from using – more because of the darts than the boards), and an adequate sound system playing great music: Alice in Chains, Johnny Cash, Social Distortion, Nirvana, Screaming Trees, Sinatra, the Rolling Stones, Tool, and Soundgarden.
When I hear those bands, I’m back at Amigos.
Unlike anything else, except maybe scent, music has the power to transport people across decades and miles. Hear a song you used to listen to in high school, and, for a tiny moment, you’re there again.
Music is transcendent that way. Soundgarden recorded Fell on Black Days in 1993, when Chris Cornell was 29. He sang into a machine which captured the moment – a moment – and ultimately distributed it around the world.
Machines shouldn’t be able to preserve the power and beauty that Cornell produced but, magically, they did.
Even more magically, hearing a few seconds of sound transports me back in time and delivers me to a barstool in Maine. I can smell Amigos, which is not always a blessing, and I can see my friends there, which always is.
Some of them, like Cornell, are gone now, but in brief moments that wash over me with sound, they live.
In Spring, the jacaranda tree across the street blooms. I sit on my little balcony 10 feet off the ground and watch the purple petals – so beautiful on the branch – flutter to the street and become trash. Once
In Spring, the jacaranda tree across the street blooms. I sit on my little balcony 10 feet off the ground and watch the purple petals – so beautiful on the branch – flutter to the street and become trash.
Once a week, street sweeping machines come and scrape them away. Parking Enforcement uses the occasion as an excuse to write tickets. In the morning, I rest my coffee cup on the railing. From my balcony,
I see drivers ignore the stop sign. I watch people praise their dogs for shitting – “That’s a good boy. That’s a good boyyyyyyy!” – and scoop up poo. As darkness settles, I watch the lights come on in Century City three miles away. I hear the rockers on Sunset Boulevard and the gays on Santa Monica. Sometimes I hear the squeal of tires trying to stop and then that sickening boom of metal hitting metal. When it’s windy, I watch the trees sway and I listen to air I cannot see as it rushes past.
It should be loud here in the city, but it’s not, at least not in my slice of it. Mostly, I hear church bells and conversations and birds and helicopters and trucks that groan in protest as they make their way up the shallow incline that is my street.